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Early Rock Art of the American West: The Geometric Enigma
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Review
"Definitely the best book on the subject of rock art ever written. Full of fascinating images and ideas, it tackles hard questions and discusses them in a balanced, objective manner."―Desmond Morris, author of The Biology of Art and The Naked Ape"It is the hardest thing in the world to escape the grip of our own prejudices. Early Rock Art is important because it challenges our modern obsession with explicit symbols and stories and aims to free our theories of art from the iron grip of literate culture. I applaud the authors' efforts to dig deeper, to find the ancient roots of our aesthetic sensibilities."―Merlin Donald, emeritus professor of psychology at Queen's University and author of Origins of the Modern Mind"Presents new ideas on the origin and importance of art to all human cultures and shows that the neglected geometric rock art of the American West has an intriguing and essential story to tell."―Paul Tacon, Chair in Rock Art Research, Griffiths University, Australia"There is no previous book on this type of rock art―usually it is given only cursory treatment, largely because geometric imagery defies conventional approaches to interpretation. Malotki and Dissanayake address what we know and what we can know about early geometric rock art."―James D. Keyser, author of Indian Rock Art of the Columbia Plateau"Malotki and Dissanayake's intriguing concept of 'artification' gives researchers another tool to use when examining ancient rock art. The photos alone warrant purchasing this book."―D. Clark Wernecke, executive director, Gault School of Archaeological Research"In this welcome book a long-neglected rock art tradition is examined at length. The work is so wide-ranging that any reader will also learn about many important anthropological concepts. Last but certainly not least, splendid photographs accompany the texts throughout."―Jean Clottes, author of What Is Paleolithic Art?"A fascinating and thought-provoking volume that explores the enigma of geometric rock art in the American West with great insight and authority. Lavishly illustrated with Malotki's incredible photography, this work is as much a feast for the eyes as for the mind."―Ben Watson, paleoart specialist"A tribute to the artistic and intellectual achievements of Paleoamericans. Scholarly and innovative, sophisticated yet accessible, and with a wealth of breathtaking pictures."―Tilman Lenssen-Erz, African Archaeology, Institute for Prehistoric Archaeology, University of Koln"Malotki's fascinating photographs and Dissanayake's pathbreaking ideas make this book a must for all research on American rock art and the roots of human creativity."―Christian Zuechner, director emeritus, Institute of Prehistory and Early History, University of Erlangen-Nurnberg
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About the Author
Ekkehart Malotki is professor emeritus of languages at Northern Arizona University. He is the author of The Rock Art of Arizona: Art for Life's Sake and Stone Chisel and Yucca Brush: Colorado Plateau Rock Art. Ellen Dissanayake is an independent scholar, author, and lecturer. She is the author of Art and Intimacy: How the Arts Began; Homo Aestheticus: Where Art Comes From and Why; and What Is Art For?
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Product details
Paperback: 312 pages
Publisher: University of Washington Press (July 11, 2018)
Language: English
ISBN-10: 0295743611
ISBN-13: 978-0295743615
Product Dimensions:
9.1 x 0.8 x 10 inches
Shipping Weight: 2.5 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#172,394 in Books (See Top 100 in Books)
Luv rock art
Those of us interested in Native American rock art are familiar with the geometric images found in profusion in the Western States. Familiar but also baffled by the abstract petroglyphs engraved on boulders or on cliffsides, by the occasional abstract painted images, and the collections of “cupules†carved in the rocks sometimes by the dozen or even the hundreds.Why are there so many of these carvings, why did the makers choose to make these abstract designs instead of, for example, representing animals found in the real world around them ? And... what do these abstract images mean ?As in his previous publications on rupestrian art, Ekkehart Malotki offers us a collection of beautiful images, no mean feat considering the subject matter. But in addition to the photographs, the text is what makes this book so captivating. Ekkehart Malotki gives a wide overview of the study or rock art and discusses selected sites representative of geometric styles, the subject of this book.For most readers, the real novelty will be Ellen Dissanayake’s “concept of artificationâ€. The word “artificationâ€, coined by the author, “refers to what people do when they make images...†“It is a behavior or process (...)â€. “The concept... rests on the capacity of human beings to make ordinary experience (or “ordinary realityâ€) “extra-ordinary†or specialâ€. The author had developed this concept in previous works, here she applies it to these images.We no longer have to debate whether these markings are “art†in the sense that our Western minds are using the word. Nor do we need to regard them as “symbolsâ€. And a search for their “meaning†may be futile and unwarranted, since the act of making them may have been what mattered most.Ellen Dissanayake is fascinated by the evolution of mankind and the evolution of the human mind. She offers a plausible path showing how our remote ancestors may have begun to modify objects and “artify†their surroundings.The authors do not tell us what these markings “mean†(and no one else will ever be able to, since their makers have vanished in the past.) But why they were made has just become a little more understandable. To me, at least. It’s a great book, one of the best I have ever read on the subject of rock art, and a great synthesis of human evolution. In that respect it should be of interest to readers beyond the traditional rock art community.
I just finished reading this book. I had to read it twice, the first time with my usual skepticism, the second time with a yellow marker. The authors have written a great book on a very difficult subject. There is so much here, so much I now understand. I highly recommend as a "must read" for anyone who is serious about the origins of rock art in the American West.
I have been captivated by Archaic Period rock artfor decades. Until now there has been no comprehensive and satisfying volume of this magnitude on the subject. Malotki's stunning "eye-candy" photos show him to be the very best rock art photographer around. His images and ideas paired with Dissanayake's profound thinking about art make the book a treasure.Katherine Wells
Fine pictures by Malotki ... text often blogs down in the minutia of archeological theory.Worthy purchase for all rock art devotees.
Nicely laid out book--high quality paper, great photos. Still reading it.
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