Senin, 21 Januari 2013

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File Size: 2174 KB

Print Length: 176 pages

Publisher: ANAYA INFANTIL Y JUVENIL; 1 edition (March 26, 2015)

Publication Date: March 26, 2015

Language: Spanish

ASIN: B01M5DZMT4

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Corta tragedia de estilo romántico española. Muy entretenida, rápida de acción, variada en localizaciones y ambientes. Recoge diversidad de personajes en su reparto, desde los cómicos y populares hasta la nobleza de títulos y armas. El honor, vicios populares, las virtudes clásicas... es un buen cuadro de costumbres de la época social de la España del XVIII (aunque la obra es de mediados del XIX). Para mí es ésta la obra cumbre del teatro romántico español. Y se puede leer fácilmente de un tirón.Es de especial interés si se quiere observar cómo se percibía desde la España peninsular todo lo que provenía de las Américas: rodeado de misterio, probables prejuicios raciales, la búsqueda de fortuna con vistas a escalar socialmente. Por tanto es, ésta, también un buen retrato de época. Pero si en lo histórico se fija usted más que en el propio valor literario, no se olvide que todos somos -o hemos sido- hijos del pecado, y tanto nosotros como nuestros padres. Así que no juzgue, si no quiere ser juzgado más tarde.

Perhaps the most important work of early Spanish Romanticism, Don Alvaro is a must-read not only for its literary importance but also because for its interesting and compelling story. The tale of Don Alvaro encompasses many societal and philosophical issues, including racism, xenophobia, honor, love, religion, revenge, and mental health (!). Alvaro's beloved, Dona Leonor, is perhaps the strongest heroine of all of Spanish Romanticism, resolute in the face of adversity, true to her own beliefs and emotions, and loyal to the end.Don Alvaro is a beautiful starting point for your journey into Spanish Romanticism. Take off now!

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Senin, 14 Januari 2013

Free PDF The Art of the English Murder: From Jack the Ripper and Sherlock Holmes to Agatha Christie and Alfred Hitchcock

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The Art of the English Murder: From Jack the Ripper and Sherlock Holmes to Agatha Christie and Alfred Hitchcock

The Art of the English Murder: From Jack the Ripper and Sherlock Holmes to Agatha Christie and Alfred Hitchcock


The Art of the English Murder: From Jack the Ripper and Sherlock Holmes to Agatha Christie and Alfred Hitchcock


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The Art of the English Murder: From Jack the Ripper and Sherlock Holmes to Agatha Christie and Alfred Hitchcock

Review

“Lively. Worsley’s goal isn’t to provide a history of crime or crime writing, but to show how the British enjoyed and consumed the idea of murder.” - The New York Times Book Review“Worsley's book covers a great deal of ground and provides an excellent overview of how the consumption of crime became a dominant part of our cultural landscape.” - The Sunday Times (London)“Delightful.” - Book Riot“Worsley explains England's love affair with scandals, lurid murders and executions, exhibit[ing] her exceptional knowledge of social and literary England. Simply put, murder was the TV of the Victorian era, an escape from everyday woes. Worsley ably shows how audiences drove writers, actors and purveyors of news to satisfy their morbid curiosities.” - Kirkus Reviews“Fascinating. This riveting cultural history will enthrall fans of British crime novels as well as readers of true crime.” - Library Journal (starred review)“Lively, lucid, and wonderfully lurid. Worsley's vivid account excites as much as its sensational subject matter, and edifies, too, thanks to her learned explications.” - Publishers Weekly (starred review and PW Pick of the Week)“Irresistible. Crisp, clear and good to the last sentence.” - The Buffalo News“Worsley captures this bloody love affair very well.” - The Independent“A brief, absorbing history lesson on how the UK’s obsession with bloody deeds changed not only methods of law enforcement, but fertilized the roots of modern popular culture.” - Bookgasm“The fictional detective is part of our way of seeing the world now, and this is an amusing book to show how our fascination with murder (which we ought to find nothing but repellent) made it happen.” - The Columbus Dispatch

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About the Author

Lucy Worsley, Ph.D., is Chief Curator at Historic Royal Palaces, the charity that manages the Tower of London, Hampton Court Palace, Kensington Palace, the Banqueting House in Whitehall, and Kew Palace in England. Please visit www.lucyworsley.com.

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Product details

Hardcover: 336 pages

Publisher: Pegasus Books; 1 edition (October 15, 2014)

Language: English

ISBN-10: 9781605986340

ISBN-13: 978-1605986340

ASIN: 1605986348

Product Dimensions:

6.4 x 1.2 x 9.3 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

35 customer reviews

Amazon Best Sellers Rank:

#496,955 in Books (See Top 100 in Books)

Besides rain, cricket, afternoon tea, and The Queen herself there is nothing considered more quintessentially English than a good murder mystery. Lucy Worsley, whose wit and sparkle enhance her intellect and solid scholarship, in The Art Of The English Murder examines the most famous English mystery writers and some of the most infamous of the murders which helped to inspire them.Murder, of course, has been a part of history as long as humans have, but the modern fascination with that particular crime dates from the beginnings of the nineteenth century. A newly literate population that was eager for entertainment, snatched up broadsides, newspapers, and pamphlets which carried the news of the day. No news was more intriguing than stories of dastardly murders, the bloodier the better. Newly organized police forces in the burgeoning industrial cities strove to track down and bring to justice the murderers, and the reports of their investigations fascinated the reading public as well. Worsley starts her history here, examining famous murderers like William Palmer and Madeleine Smith, still unsolved mysteries like Jack the Ripper and the Rode House murder, Jack Whicher and other police investigators, and, of course, the writers and novelists who produced elaborate fictions based on the crimes that filled the popular press. These included Wilkie Collins, Charles Dickens, and J. Sheridan Le Fanu among many others. Worsley then goes on to examine the rise of the "middle class murderer" and the rise of forensic science in the late nineteenth century (the heyday of Conan Doyle) and then really hits her stride with the "Golden Age" of detective fiction: the interwar period during which Agatha Christie, Dorothy L. Sayers, Edgar Wallace, Ngaio Marsh and many others filled bookshops and libraries with their ingenious tales. Eventually, with the rise of the thriller and the psychological mystery, the straight detective story focussing on the mechanics of crime solving fell out of favor,although murder mysteries produced by Alfred Hitchcock and others still found an audience.Readers who enjoy The Art Of The English Murder will also find Judith Flanders' The Invention Of Murder, The Suspicions Of Mr. Whicher by Kate Summerscale, The Poisoner by Stephen Bates, and Sandra Hempel's The Inheritance Powder, among many other recent works, of interest.

This is a fascinating exploration into uncovering a lost world, but a world that existed not that long ago. For example, I had no idea that puppet shows were the way that people in the hinterlands experienced theater in the 19th century, until the advent of trains that could take visitors to London for the day, but they were, and a popular form of theater was staging famous murders for entertainment.This is a throw-away fact, but in discussing the main topic of the book - the ability of people to draw entertainment value out of murder - one subject leads to another.The book starts with famous murder cases that caught the attention of the public in the 1820s and 1830s. The author, Lucy Worsley - who I assume wrote this as a companion to a BBC documentary - discusses the murders in detail, along with the public fascination with the crimes, the criminal justice system, the songs that were made out of the crimes, and similarly details. We learn that broadsheets catered to a newly literate culture and were distributed by singing patterers or performing patterers, who drew the attention of the crowds with the busking entertainment. Again, we learn the rich, lived details of this society.The first part of the book is mostly about the crimes, the criminals and the newly developing police forces, starting with the Thames Patrol, the Bow Street Runners, and, eventually, the Metropolitan police. I'd always known that Sir John Fielding had a hand in starting the Bowe Street Runners, but I was - I think - surprised to learn that the Runners were actually started by Sir Henry Fielding, who was the author of Tom Jones. The Metropolitan Police wore blue uniforms in order to assure Londoners that they were not being subjected to military supervision by the army, which would have worn red.By the close of the 19th century, however, the focus turns to literary murder. We are introduced to precursors to "Detective Fiction," including the "Penny Bloods" and the "sensation novels." We also get an introduction to the writers who were turning out this literature in the 19th century, and, thereby, capitalizing on the public's taste for murder, as well as directing and shaping that taste.Although Jack the Ripper is mentioned in the subtitle, there is not much on that subject. Nonetheless, Worsley has an interesting theory about Jack the Ripper. She implies that much of what we think we know about Jack the Ripper was concocted by the newspaper man who allegedly received the letter where Jack was given his nickname. Moreover, Worsley finds it significant that "The Strange Case of Dr. Jekyl and Mr. Hyde" had premiered shortly before the Ripper murders, thereby whetting the public expectations about what a serial murder might look like.I had to chuckle at one point at the differences between ourselves and our greatX4 grandparents. Worsley describes how the public reacted to a particularly brutal slaying of a family inside their home:"From this point on, though, events became confused and, ultimately, mishandled. The Thames Police were called in, but these official visitors were accompanied by a whole swarm of unofficial sightseers who wished to see the murdered bodies laid out dead upon their beds. The crime scene was thoroughly contaminated. What forensic and material evidence there was they were not skilled in reading: it took 12 days before anyone noticed that the maul in the kitchen was marked with the initials JP."The idea of sightseers wanting to unofficially wander through the horrific murder scene tickled my funny bone for no particular reason, except that it suggests how different we are from them. But even this odd fact becomes a point of departure for a keen observation about how and why we are different from out ancestors. Worsley provides an explanation for that difference:"To modern eyes, one of the more distasteful aspects of the Ratcliffe Highway Murder was the way that hundreds of people traipsed through the Marrs’ house in the days following the crime. They came in order to ogle at the dead bodies of the victims, laid out upon their beds, and they came in huge numbers. The Times reported: ‘The sensation excited by these most ferocious murders has become so general, and the curiosity to see the place where they were committed so intense, that Ratcliffe Highway was rendered almost impassable by the throng of spectators.’ There were two good reasons why this ghoulish practice was much more acceptable then than now. Firstly, both birth and death were much more part of normal domestic life. Today both processes have been medicalized, and very often shuffled off into a hospital rather than a person’s home. Regency people were much more used to relatives dying at home in their own beds, and most women gave birth at home. The laying-out of a corpse in the front room, so that friends and neighbours could come to pay their respects, was normal practice. There was also a strong Irish presence in east London, and the idea of the ‘wake’ – visiting the home of a dead person in order to see them in their coffin, and contributing money so that the family could hold a gathering with drinking and partying – even now lingers on in Ireland after being forgotten on this side of the sea."The past is a different country; they do things differently there.This description of the internment of the putative murderer in 1811 highlights that observation:"The procession stopped for 15 minutes outside No. 29, the house where the Marrs died. Now a member of the crowd climbed up on to the cart and forcibly turned the dead man’s head to look at the home of ‘his’ victims, confronting him with what he had done. He was eventually taken to a crossroads, the conventional burying place for a suicide. At the junction of the new Commercial Road and Cannon Street, his body was ‘tumbled out of the cart’, lowered into a grave and ‘someone hammered a stake through his heart’. This last action was to ensure that an unquiet soul would not go wandering. The veracity of the report seemed to be confirmed in 1886, when gas pipes were being buried. At the same road junction, workmen digging a trench discovered a skeleton, buried at a depth of 6 feet, face down and with a stake through its heart."Yikes!Staking the heart of the dead so that they won't come back as vampires? In the 19th century?This book covers some of the same territory as Murder by Candlelight: The Gruesome Crimes Behind Our Romance with the Macabre, which is one of the reasons I wanted to read it. But Murder by Candlelight pretty solidly stays in the era prior to 1850. Thus, in both books, Thomas de Quincy and the Elstree Murder are covered. This book moves beyond the 1850s and well into modern literature, particularly the feminist detective fiction. If I have one criticism it is that the last section is taken over by a feminist approach to detective fiction where the interest is exclusively on mysteries written by women or about women detectives. There is nothing wrong with such an interest, of course, but, certainly, there was more to English detective writing than Sayers, Christie, Marsh and Allingham. There was G.K. Chesterton, for example, who gets mentioned but not discussed. It seems hardly fair to allow other great writers to become forgotten or ignored because of the obsession of the moment. There is a bit more about Arthur Conan Doyle, but, then, it is hard to ignore Sherlock Holmes.That said, the discussions in this book are educational, insightful and interesting. The authorial voice often breaks in to share some particular experience she has had concerning her research, and those interludes are invariably interesting and on point.Murder is not a bad way to learn about our recently forgotten ancestors.

I really enjoyed this book! It's the history of London and the police force, notable murders that took place. I liked it so much I purchased 2 more of Ms. Worsley's books; If Walls Could Talk and Tea Fit for a Queen...she has a way of making history come to life in her well researched books. Tea Fit for a Queen has some great recipes in it and If Walls Could Talk takes you through the English Castle/Manor/house room by room which sounds boring but really was fascinating.

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Minggu, 13 Januari 2013

Ebook Free Science Fiction and Extro-Science Fiction (Univocal)

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Science Fiction and Extro-Science Fiction (Univocal)

Science Fiction and Extro-Science Fiction (Univocal)


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Science Fiction and Extro-Science Fiction (Univocal)

About the Author

Quentin Meillassoux is a French philosopher who teaches at the Université de Paris 1 Panthéon Sorbonne. His interests range from the philosophy of mathematics, the status of philosophy, and questions pertaining to epistemology, ontology, and finitude. Alyosha Edlebi is a Lebanese philosopher. He is the editor of What Is Thinking? 

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Product details

Series: Univocal

Paperback: 93 pages

Publisher: Univocal Publishing; 1 edition (April 1, 2015)

Language: English

ISBN-10: 1937561488

ISBN-13: 978-1937561482

Product Dimensions:

4.4 x 2 x 6.5 inches

Shipping Weight: 3.5 ounces (View shipping rates and policies)

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Rabu, 09 Januari 2013

Download Ebook The Art of Graphic Design: 30th Anniversary Edition

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The Art of Graphic Design: 30th Anniversary Edition

Book Description

This new edition of the classic by renowned designer Bradbury Thompson presents the full spectrum of his contributions to American graphic design and explores his methods and design philosophy.

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About the Author

Bradbury Thompson served on the faculty of the Yale School of Art for over thirty years and received widespread recognition for his influential designs for books, magazines, and postage stamps. He was honored with all of the highest awards in his profession, including those of the American Institute of Graphic Arts, the National Society of Art Directors, the Art Directors Club, the Type Directors Club, and the Society of Publication Designers. Jessica Helfand is senior critic in graphic design at the Yale School of Art and author of Design: The Invention of Desire (Yale).

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Product details

Paperback: 248 pages

Publisher: Yale University Press; Anniversary edition (November 20, 2018)

Language: English

ISBN-10: 0300238576

ISBN-13: 978-0300238570

Product Dimensions:

9.7 x 0.7 x 13.3 inches

Shipping Weight: 3.2 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#575,454 in Books (See Top 100 in Books)

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The Art of Graphic Design: 30th Anniversary Edition PDF

The Art of Graphic Design: 30th Anniversary Edition PDF
The Art of Graphic Design: 30th Anniversary Edition PDF

Kamis, 20 Desember 2012

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Ebook Free

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Product details

File Size: 8059 KB

Print Length: 222 pages

Simultaneous Device Usage: Up to 5 simultaneous devices, per publisher limits

Publisher: Addison-Wesley Professional; 1 edition (September 8, 2014)

Publication Date: September 8, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00NEOERH6

Text-to-Speech:

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Amazon Best Sellers Rank:

#360,143 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Practical tips to help you become a better programmer. Even better if you're using Ruby. :)IMO there is a real void when it comes to books on Ruby programming. ok, I understand the language. But how do I actually write good object-oriented programs using Ruby? This book answers some of those questions. Well worth the cost and the effort to read it. It will stay on my shelf at home as a welcome reference rather than my shelves at work where just anyone could walk off with it. They will just have to buy their own copy.

Awesome book for any Ruby programmer. It goes from very basic until advanced level in a very nice pace (which makes it very easy to read) and it has the bonus of explaining how the GC works and why you should care about it. It changed how I think and write Ruby code on daily basis for sure a must read.

I've read a lot of books about Ruby, and I was a little bit concerned - whether I really need another one. As I like the idea of "Effective" series, I decided to give it a try. Bingo!Concise, insightful, and fun to read - I really like it!

Very good book. Not for beginners.

Excellent ruby best practices.

Recommended.

There are only a handful of Ruby books that focus on rounding out the general knowledge of intermediate Rubyists, and this is the latest entry to that group. Effective Ruby is split up into 48 "items" which cover things like inheritance, using structs instead of hashes, garbage collection, exceptions, Minitest, and more.Even Ruby experts will enjoy this book as it's written in a direct, no-nonsense style and the items act as quick, handy reminders of things you knew but somehow forgot anyway.The only criticism the book could face is that the 48 items are a little arbitrary. They're bundled into groups, but I feel you could easily have several other books that followed the same format and covered different items. Maybe there'll be Effective Ruby 2, 3, and beyond around the corner? :-)

When you buy a book to expand your knowledge of something, you hope that the author has used the pages to communicate worthwhile lessons - and a good book is liking having a teacher by your side. For my personal preference, an even better style is when the author acts much as a mountain guide - not only showing you the right way - but also calling out the dangers and risks of less efficient paths...or paths that will lead you astray.In "Effective Ruby, 48 Specific Ways to Write Better Ruby", Peter J. Jones demonstrates his knowledge of Ruby - in a hands-on and practical manner - achieving the much deserved accolade as both teacher and guide.The clarity of writing is reminiscent of Kernighan and Ritchie, Scott Meyers, and Joshua BlochRuby is a worthwhile language to have in your toolbox - and this book is a welcome addition to my technical library.

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Sabtu, 08 Desember 2012

Free Download Sumatra 1:1,100,000 Travel Map, waterproof, GPS-compatible REISE

Free Download Sumatra 1:1,100,000 Travel Map, waterproof, GPS-compatible REISE

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Sumatra 1:1,100,000 Travel Map, waterproof, GPS-compatible REISE


Sumatra 1:1,100,000 Travel Map, waterproof, GPS-compatible REISE


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Sumatra 1:1,100,000 Travel Map, waterproof, GPS-compatible REISE This map is waterproof and tear-resistant, durable enough to survive time spent in the rucksack, pocket or on a restaurant table in the humid climate of Sumatra. It is double-sided to provide the best balance between a good scale and a convenient sheet size (size 100 x 70 cm / 39.5 x 27.5 in) with topographic and tourist information. Coverage includes Bangka and Belitung Islands, plus Riau and Lingga Archipelagoes shown as an inset at the same scale. Topography is shown by altitude colouring with spot heights and graphics indicating salt flats. Detailed presentation of the road network includes dirt roads and local tracks; railways, local airports and ferry connections to other islands of the Indonesian archipelago are also shown. Local administrative units are shown with their boundaries and names. National parks and other protected areas are highlighted. A wide range of symbols shows various places of interest including UNESCO sites, temples, museums and monuments, hot springs and other natural features, etc. Latitude and longitude lines are drawn at 30’ intervals. The map has an extensive index of localities. Multilingual map legend includes English, high quality German cartography.

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Product details

Map: 2 pages

Publisher: Reise Knowhow (December 10, 2010)

Language: English

ISBN-10: 9783801724

ISBN-13: 978-9783801721

Average Customer Review:

Be the first to review this item

Amazon Best Sellers Rank:

#7,756,839 in Books (See Top 100 in Books)

Sumatra 1:1,100,000 Travel Map, waterproof, GPS-compatible REISE PDF
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Sumatra 1:1,100,000 Travel Map, waterproof, GPS-compatible REISE PDF
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Jumat, 07 Desember 2012

Ebook Free Fly the W: The Chicago Cubs' Historic 2016 Championship Season (Cubs World)

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About the Author

Founded as the Cook County Herald in 1872 by G.E. Earle and purchased in 1898 by Hosea C. Paddock, the Daily Herald continues to be independently owned and operated by the Paddock family. It is the dominant newspaper in suburban Chicago and the third largest in Illinois. The Daily Herald is based in Arlington Heights, Illinois. Len Kasper is in his 12th season as the television play-by-play voice for the Chicago Cubs. Follow him on Twitter @LenKasper.

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Product details

Series: Cubs World

Hardcover: 160 pages

Publisher: Triumph Books; Commemorative edition (December 1, 2016)

Language: English

ISBN-10: 162937444X

ISBN-13: 978-1629374444

Product Dimensions:

9 x 0.8 x 11 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

43 customer reviews

Amazon Best Sellers Rank:

#329,117 in Books (See Top 100 in Books)

I have mixed feelings about this book. On the one hand, the stories and photos provide a memento of the Cubs finally winning the World Series; on the other, the text of those stories is atrociously edited. The book is largely reprints of Daily Herald stories published during the 2016 season, and they contain far too many editing mistakes. There are several instances where entire words have been omitted from sentences. The meaning could be determined by context, but it was very obvious a word had been dropped. There's an instance where "inn" is used where "in" should be used, and another where the "t" is left of the word "went." A particularly glaring mistake occurs on page 144, when the text reads, "Maddon gave the start at catcher to rookie Willson Contreras, who teamed with Heyward to tag out Adrian Gonzalez trying to score the game's first run in the third inning." It's accompanied by a photo of the play; the caption for the photo reads, "Willson Contreras tags out Adrian Gonzalez at home during the second inning of Game 4." So, was it the second or the third inning? The book doesn't know. Oh, and that mistake I mentioned about omitting the "t" from "went" occurs on this very same page.And these are just some of the mistakes I noticed in casual reading. I shudder to think what I would find if I actually fact checked or seriously proofread it... because, clearly, no one at the Daily Herald did.Despite the editing, I did enjoy reading this book and reliving the championship season. I'm also very glad I found a used (like new) copy for significantly less than the cover price. I think books in general are overpriced, but I'd be particularly upset if I'd paid the full $26.95 price for something that was apparently so carelessly put together that the publisher couldn't bother to proofread it.Bottom line: Cubs fans will enjoy the book, but do not pay full price; it's not worth it.

I show this to everyone who visits (friends & family)

The book is for my Brother for Xmas. He's going to flip. He is the "Biggest Cub fan on the planet. Thanks, Terry

read it to my 11 year old grandson

Lots of great pictures. It was really fun for my 79 year old mom to look through. Great gift idea!

Love the read and the pics of a great season!!

Great keepsake!

Great book for table browsing.

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